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Written by www.thousandsofone.com
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Friday, 25 January 2008 |
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"'Thousands of One' is a journey. It is a social commentary, yes, a
funkdefied dance party that will move your body til it cant no mo, as
well; an inquiry to the soul, calling out for roots, love and culture.
Music with a mission!"
Thousands of One fuses 70’s-era soul/funk with a unique approach to
Hiphop, gospel, electronica, afrobeat, add to this a few lessons from
the school of roots reggae. Lead vocalist Jhakeem Haltom can turn a
phrase whether singing falsetto a la Marvin Gaye or spitting verse like
KRS-One. He has been easily compared to Stevie Wonder, Steely Dan’s
Donald Fagen, Talib Kweli and none other than Bob Marley. Heavy drum
and bass buoy socially conscious lyrics, while the saxophone
performances of Mark Weinand evoke pristine soundscapes. This “heavy”
rhythm section of Joel Blizzard on drums and Brent Eva on Bass provides
for a work-it-‘til-you-drop dance party every time. The newest member
of Thousands of One is Safak Ozkan, born and raised in Turkey, spent
his youth playing in a rebel rock band, as well as playing the Oud (a
traditional middle eastern stringed instrument), Safak has brought an
incredible vibe to the crew as they venture into new fields of sound.
Seeing Thousands of One live is a journey into higher musical planes.
With spirited live improv, every Thousands of One performance takes on
a life of its own. This winter they will perform in Brooklyn,
Philadelphia, Boston, and Baltimore followed by their fourth US
national tour. Still, as Thousands of One matures and branches out,
their commitment to playing “for the people” at schools, prisons, and
community centers will not waiver.
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Last Updated ( Sunday, 09 March 2008 )
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Monday, 14 January 2008 |
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A Celebration to Benefit Charities for New Orleans - Jan 25 & 26
The City of New Orleans and the Gulf Coast have given the rest of the world tremendous gifts of music, culture, cuisine, art, and much more. Relief efforts have continued since Katrina but it hasn’t been enough to get the area functioning to full capacity and allow all residents to return to a sense of normalcy and comfort. To help continue the relief effort, Symbiotic Music Productions and Crescendo Artists announce a Mardi Gras Benefit Celebration with the Big Easy Blowout. All proceeds from the events will benefit the New Orleans Musicians Clinic and Tipitina's Foundation. The two consecutive events will take place in Colorado on January 25 in Boulder and January 26 in Denver. The musical lineup will feature Page McConnell (Phish), Russell Batiste (Funky Meters, PBS), Papa Mali (Rhythm Council), Big Chief Monk Boudreaux (The Wild Magnolias, Golden Eagles) and Reed Mathis (Tea Leaf Green, JFJO). The events will have other fundraising aspects, Mardi Gras décor, and activities (including silent auctions, raffles, drink specials, food drive, New Orleans themed artwork and more). Euforquestra will support on both shows.
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Last Updated ( Sunday, 09 March 2008 )
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Written by www.steepcanyon.com
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Friday, 11 January 2008 |
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Boulderpm.com, KGNU and Marquee Magazine present.
The Steep Canyon Rangers have carved out a special spot in the world of bluegrass music, creating a sound that looks forward and backwards at the same time. First formed in the stairwells and kitchens of Chapel Hill, NC, the Rangers arrive from varied musical backgrounds. On stage and in the studio, Woody Platt, Mike Guggino, Charles Humphrey, Nicky Sanders, and Graham Sharp have perfected their ensemble approach using fierce dynamics and seamless harmonies. The Rangers base their sound around a stunning catalogue of original songs, drawing on the sounds of early bluegrass, honky tonk, and blues.
In 2006 the International Bluegrass Music Association voted Steep Canyon Rangers the Emerging Artist of the Year. The past year also saw the title track ”One Dime at a Time” rise to #1 on Bluegrass Unlimited’s National Bluegrass Survey. In October the Grand Ole Opry welcomed the Rangers for a debut performance at the Ryman Auditorium in Nashville, TN. On the heels of their recent success comes a third Rebel release ”Lovin’ Pretty Women” produced by bluegrass heavyweight Ronnie Bowman and engineered by guitarist Wyatt Rice, affirming the band’s arrival at the highest circle of acoustic music.
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Last Updated ( Sunday, 09 March 2008 )
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Tuesday, 01 January 2008 |
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The Disco Biscuits have entered their second decade as one of the most successful acts on the jam-band circuit. In the years since the band sprang out of the University of Pennsylvania party scene in the mid-'90s, the Disco Biscuits have brought together the worlds of jam bands and electronic music with its "trance-fusion" sound that mixes the free-form improvisations of jazz with the hypnotic rhythms which provided the soundtrack for rave culture. In the process, the band has garnered critical acclaim and a loyal fanbase.
The Biscuits have continued to evolve with some new blood. Drummer Sam Altman moved on, but the band is re-energized thanks to the addition of drummer Allen Aucoin, who in true Disco Biscuits fashion landed the gig after a live "drum-off" gig in November 2005 in Atlantic City. Aucoin played his first shows as an official member of the band over the 2005 holiday season at the Tower Theatre in Philadelphia and the Hammerstein Ballroom in New York, where it sold more than 10,000 tickets.With the new blood also comes a new home base. The Biscuits have regrouped in their own studio, formerly owned by fellow Philly homeboy DJ Jazzy Jeff, and the band is reaching creative heights it hasn't hit since it shared a house together in the late '90s, practicing up to 10 hours a day and writing new material for their next studio effort. 2006 and 2007 have brought the band back to a heavy touring schedule, once again touching cities across the country.
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Last Updated ( Sunday, 09 March 2008 )
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